一物 · 戚彧 李秀美 李荣林作品展将在11月30日于朗禾空间开幕

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一物 · 戚彧 李秀美 李荣林作品展

SVIP预展酒会

2019年11月30日 13:00

（仅限定向邀请嘉宾，不对外开放）

开幕酒会

2019年12月01日 15:00

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（谢绝空降及无自控能力儿童观展）

艺术家

戚彧 李秀美 李荣林

策展人

梁兆基

策展总监

文白

策展助理

金顺梅 蒋桂英

排版设计

张彦超

资料助理

戚丹琪

媒体助理

Simen 廖芬芬

出品方

JSM Art

展览时间

2019年11月30 至 2020年02月09日

展览地点

朗禾空间 北京市海淀区万泉庄路21号

Via OBJECT , Qi Yu Lee Soomi Lee Young Rim

The exhibition time 30/11/2019-09/02/2020

Curator Eric Leung

Exhibition director Wen bai

Exhibition assistant Kim shunmei Gui-ying jiang

Layout design Zhang yanchao

Data assistant Qi danqi

Media assistant Simen Liao Fenfen

Outgoing JSM Art

Exhibition space SunHarvest space

Show the address 1 / F, SunHarvest space,No.21，WanQuanZhuang Road，Haidian District，Beijing

策展人代序

文 / 梁兆基

“一物”是喻意对物料的专注与执着，亦可说是艺术家通过对事物的观察、理解、反思、演绎及沉淀的创作过程，属一种修行。南北朝弘忍大师认为佛宗的“一物”，便是坚决不妥协，贯彻自己原则的处事风格。

今次展览展出戚彧、李荣林及李秀美三位艺术家的代表作品，均反映他们处理物料的极至，以及升华出来的独特个人风格，亦展现艺术家不凡的艺术成就。

厦门艺术家戚彧父亲是陶瓷艺术家，身上就带有陶瓷的基因，但他成功地把传统的物料转化成符号，构建他的当代艺术创作。戚彧坚持承传陶瓷文化，致力建立陶瓷的当代语言。艺术家运用陶瓷碎片拼合成抽象画，细致丰富的肌理隐透充满节奏的动态，远观又显露现代简约的纯净，可算是陶瓷端庄气韵的重新演绎。另方面戚彧以陶瓷创作的装置作品更直接挪用当代艺术的手法与观念，为陶瓷艺术带来新的面貌。

戚彧 灵度No.019-005/瓷、油彩、岩砂、亚麻布 120cmX240cm 2019

Qi Yu Singularity No.019-005 Porcelain 、Oil colour、Rock sand、linen 120cm×240cm 2019

韩国艺术家李荣林则专注以木材作为创作物料，钻研作品与空间的交互作用。她的装置有若在空气挥毫，以颜色木料把立体空间转化。艺术家亦巧妙地拼合木块创作架上作品，不同形态及色彩的木片像笔触组成半立体的抽象画，更往往留出穿孔的部份作为焦点，有如水墨留白的意趣，加上相对融和的颜色组合，是成功结合西方及东方美学的创作方向，在强烈现代感的造型中带了一点委婉，把冲突与协调并置。

李荣林 黄色广场，木、丙烯酸，92cm×90cm，2017

Young Rim Lee Yello w Square, acrylic on wood, 92cm×90cm，2017

韩国艺术家李秀美就巧妙地转化物料的属性创作带感性的作品。她金属结合古木及家具的雕塑系列，就把金属化身蕾丝改变原来的刚硬性质，与木料有机地融合起来，构成调和之美。她另一主要系列是骷髅与蚂蚁为主题的金属雕塑，这些探讨生死观的作品在艺术家的优美造型下并不恐怖，正显露她调和对立性的创作哲学。

李秀美 蚂蚁，银，38cm×22cm×16cm，

Lee Soomi Ant，silver，38cm×22cm×16cm，

三位艺术家作品视觉效果很不一样，各自精彩，但均致力发挥及转化物料的艺术属性，并在东西问道的过程中发展出自身艺术面貌。展览一方面作为中韩艺术交流活动，亦希望透过他们的杰出作品呈现艺术创作中专注与坚持的一致性。

梁兆基

2019.11.18

"One OBJECT" (direct translation of exhibition title) is referring to the concentration and persistence in usage of materials. It can also refer to the artist's creative process through observation, understanding, reflection, expression, and sinking of ideas, also known as a practice. The master of the Northern and Southern Dynasties, Hong Ren, believed that the "One OBJECT" in the Buddhism is to resolutely not compromise, but implement the principles of our own.

This exhibition will show us the representative works by three artists - Qi Yu, Lee Young Rim and Lee Soomi, reflecting their unique ways of handlings of materials and escalation of their unique personal styles. They also show their extraordinary artistic achievements.

The Xiamen artist Qi Yu’s father is a ceramic artist, he born with ceramic gene. However, he succeeded in transforming traditional materials into symbols, to construct his contemporary art creation. Qi Yu insists to succeed the ceramic culture and strive to establish a contemporary language of ceramics. The artist uses ceramic fragments to assemble as an abstract painting, and the delicate and rich texture is full of rhythmic dynamics. The far-sightedness reveals the purity of modern simplicity, which can be regarded as the reinterpretation of ceramic dignity. On the other hand, his installation created by ceramics directly employ the techniques and concepts of contemporary art, which has brought a new look to ceramic art.

戚彧 耦合No.019-001，瓷、钢管，240cmX240cm,2019

Qi Yu Coupling No.019-001，Porcelain、Steel pipe，240cm×240cm，2019

Korean artist Lee Young Rim however focuses on using wood as a creative material to look further into the interaction between her works and space. Her installation has the ability to transform the three-dimensional space with color wood as if she painted in the air. The artist also skillfully combines the wood pieces into semi two-dimension works. The wood chips of different shapes and colors act as brush strokes of abstract painting, and often leave the perforated part as the focus, like the ink paintings leaving imagination of blank. In addition, the relatively harmonious color combination also demonstrates the successful combination of Western and Oriental aesthetics. It shows a little euphemism in the strong modern sense and leverage of contrast and harmony at the same time.

李荣林 靠着的蓝，混合材料，265cm×180cm，2019

Young Rim Lee leaned blue, Mixed media, 265cm×180cm，2019

Korean artist Lee Soomi has on the other hand cleverly transformed the attributes of materials to create sensible works. Her sculpture series combined metal work and antique wood and furniture. The transformation of cold metal into lace changes its original nature of tough, and organically blended with the wood to form a harmonious beauty. Her other major series is the metal sculptures with the theme of skulls and ants. These works that explore the concept of life and death are not terrifying under her elegant style, and are also revealing her creative philosophy of reconciliation.

李秀美 自我No.1，钢，镜子，黄铜，丙烯酸66cm×86cm×10cm，2019(局部）

Lee Soomi Self No.1，steel, mirror, brass, acrylic，66cm×86cm×10cm，2019

The visual effects of the works of these three artists are very different, each of them is wonderful, but all dedicated to transformation of the materials in an artistic way, and develop their own artistic features in the process of adopting Western and Oriental cultures. The exhibition serves as an exchange of art between China and South Korea, and on the other hand it also hopes to show the consistency of concentration and persistence in artistic creation through their outstanding works.

Eric Leung

18/11/2019

一物 · 戚彧 李秀美 李荣林作品展

艺术家介绍

戚彧

戚 彧

戚 彧（七艺），祖籍江西，1991年毕业于中央工艺美术学院装潢系。集美大学美术学院副教授，集美大学神经美学与视觉传播研究所所长。北京、厦门、景德镇设立工作室。

个展

2018年 术象---戚彧作品展 厦门美术馆 厦门

2017年 浮图---戚彧作品展 第七届台北新艺术博览会 台湾台北

2016年 浮图---戚彧艺术作品展 第五届芝加哥国际当代艺术博览会 美国芝加哥

2016年 ONE on ONE---Crystal Liu | 戚彧 世界画廊 香港

联展

2017年 界尚---中国当代陶艺实验作品展 山东博物馆 北京

2016年 志合山海---中国当代陶瓷艺术展 基多天主教大学文化中心 厄瓜多尔

2016年 2016 SCOPE迈阿密海滩国际艺术博览会 迈阿密 美国

2016年 中国当代 迪基希市美术馆 卢森堡大公国

2015年 同步/INKCHRONICITY--- 中国当代艺术家联展 世界画廊 香港

Qi Yu,a native of jiangxi province, graduated from the decoration department of central academy of arts and crafts in 1991,Associate professor, school of fine arts, jimei university.director of the Institute of Neuroaesthetics and Visual Communication, Jimei University.Beijing, xiamen, jingdezhen set up studios.

Personal Exhibition

2018 Art Image - Qi Yu Works Exhibition ，Xiamen Art Museum ，Xiamen

2017 “Futu-Pagoda”, Qi Yu's Works Exhibition,The 7th Taipei New Art Exposition, Taipei, Taiwan

2016 “Futu-Pagoda”,Qi Yu Art Works Exhibition,The 5th Chicago International Contemporary Art Exposition, USA

2016 ONE on ONE---Crystal Liu | Qi Yu personal exhibition, World Gallery, in Hongkong

Joint Art Show

2017 “Jie·Shang”China Contemporary Experimental Works Of Ceramics Arts Exhibition,Shandong Museum,Beijing

2016 “Driving ambition” China Contemporary Ceramic Art Exhibition,Quito Catholic University Cultural Center ,Ecuador

2016 SCOPE Miami Beach International Arts Exposition ,Miami ,USA

2016 China Contemporary Art Exhibition,Dickish Art Museum,The Grand Duchy of Luxembourg

2015 INKCHRONICITY--- Joint Exhibition of Chinese contemporary artists, world Gallery in Hongkong

李秀美

李秀美

毕业于美国的纽约时装学院的珠宝设计专业。

个展

2019 From Lace, Print Bakery, 首尔

2017 Traces, A.Route画廊, 首尔

2015 OLD & NEW, Traditional Alive, Interart Channel, 首尔

群展

2018 I, Woman, Korean Sculptors’ Association Exhibition, Sun画廊, 首尔

2016 Many Mini Miffy, Lotte Avenuel Art Hall, 首尔

2015 Love 100, Zippo 美术馆, 济州，韩国

2014 No More Art, The Page画廊, 首尔

艺博会

韩国国际艺术博览会（KIAF）, COEX, 首尔

艺术釜山, BEXCO, 釜山，韩国

Lee Soomi

Jewelry Design, FIT, New York, USA

Solo Exhibitions

2019 From Lace, print bakery, Seoul

2017 Traces, Gallery A.Route, Seoul,

2015 OLD & NEW, Traditional Alive, Interart Channel, Seoul

Group Exhibitions

2018 I, Woman, Korean Sculptors’ Association Exhibition, Sun Gallery, Seoul

2016 Many Mini Miffy, Lotte Avenuel Art Hall, Seoul

2015 Love 100, Zippo Museum, Jeju, Korea

2014 No More Art, Page Gallery, Seoul

Art Fair

Korea International Art Fair, COEX, Seoul

Art Busan, BEXCO, Busan, Korea

李荣林

李荣林

出生于首尔

2012 艺术学学士，拉萨尔艺术学院，新加坡

2008 家具设计，莱佛士设计学院，新加坡

2004 梨花女子大学 认知心理学 心理学博士

个展

2019 Personal Structure, Sounds Hannam , 首尔

2015 Cutting into Different Spaces, Cottonseed艺术空间, 新加坡

2014 Cutting into Space, Cottonseed艺术空间, 新加坡

群展

2018 How/ why do you look at the art you like to look at features common in all. humans ，Checkpoint Ilgen #14, 柏林，德国

2018 Wood Trace of Time, 63艺术美术馆, 首尔

2017 异梦同床, OOOJH画廊, 首尔

2017 Encountering Tree: The flow of Korean Wooden Sculpture since the 1960’s, BMOCA美术馆, 京畿道

2017 That Was Then, This Is Now, Sullivan + Stumpf画廊, 新加坡

2017 Wood Works Today, 金鐘瑛美术馆, 首尔

2014 Erasure: from Conceptualism to Abstraction(策展人：Dr. Charles. Merewether), Osage画廊, 香港

2014 Poetics of Materiality (策展人：Dr. Charles Merewether), Osage画廊, 香港

2013 Painting in Singapore, (策展人：Tony Godfray), Equator Project, 新加坡

2011 Raw Art Competition Finalist Show, The画廊, 新加坡

Young Rim Lee

Born in Seoul

2012 BFA. LASALLE College of the Arts, Singapore

2008 Furniture design, Raffles design Institutes, Singapore

2004 Ph. d. in cognitive psychology, ewha women's university

Solo Exhibitions

2019 Personal Structure, Sounds Hannam , Seoul

2015 Cutting into Different Spaces, Space Cottonseed, Singapore

2014 Cutting into Space, Space Cottonseed, Singapore

Group Exhibitions

2018 How/ why do you look at the art you like to look at features common in all humans -Checkpoint Ilgen #14, Berlin, Germany

2018 Wood Trace of Time, 63 art gallery, Seoul

2017 Strange bedfellows, OOOJH gallery, Seoul

2017 Encountering Tree: The flow of Korean Wooden Sculpture since the 1960’s,BMOCA art museum, gyeonggi province

2017 That was then, this is now, Sullivan + Stumpf Gallery, Singapore

2017 wood works today, Kim jong-ying art museum, Seoul

2014 Erasure: from Conceptualism to Abstraction (curated by Dr. Charles Merewether), Osage Gallery, Hong Kong

2014 Poetics of Materiality(curated by Dr. Charles Merewether), Osage Gallery, Hong Kong

2013 Painting in Singapore, (curated by Tony Godfray), Equator Project, Singapore

2011 Raw Art Competition Finalist Show, The Gallery, Singapore

梁兆基

策展人 梁兆基

梁兆基，香港著名的策展人，自2003年起，以积极创新的态度，策划超过80个艺术项目。他于2005年起策划“出炉艺术毕业生联展” 以及2008年发起“香港雕塑双年展”，以此推广年轻艺术家。他于2016年获香港特别行政区民政事务局局长颁授“对文化艺术发展有杰出贡献人士”称号。现为香港雕塑学会会员及香港艺术网络主席。

Eric Leung is a well-known curator in Hong Kong, As an active and innovative curator and art consultant , Eric Leung has organized more than 80 art projects since 2003.Leung initiated “Hong Kong Sculpture Biennial” in 2008 and “Fresh Trend Art Graduates Joint Exhibition” series since 2005 to promote young artists. He was awarded “Persons with Outstanding Contributions to the Development of Arts and Culture” by Secretary for Home Affairs, HKSAR in 2016. Presently Leung is the broad member of Hong Kong Sculpture Society and chairman of Hong Kong Art Network.