• 11月11日 星期一

罗甜甜《中国“她”艺术》代表性艺术家

罗甜甜《中国“她”艺术》代表性艺术家

罗甜甜

1983 出生于湖南衡阳

2007 毕业于四川美术学院油画系,获学士学位

现工作生活于重庆


Luo Tiantian

1983 Born in Hengyang, Hunan

2007 Graduated from the Oil Painting Department of Sichuan Academy of Fine Arts with a bachelor's degree

Currently lives and works in Chongqing


罗甜甜《中国“她”艺术》代表性艺术家

6元钱 综合材料 2019

Six Yuan

Mixed media

直径20cm


罗甜甜《中国“她”艺术》代表性艺术家

H先生的bus 综合材料 2019

Mr. H's Bus

Mixed media

直径20cm


创作自叙

(一)沙子


沙子是一种很神奇的东西,它总会挑动我们的神经,令人想要触摸它,塑造它,与之嬉戏。而玩沙对儿童来说更是一种天性,不论是在海滩、游乐沙坑还是建筑沙堆,哪怕只是大树底下的一洼小沙,都有孩子在那玩得不亦乐乎。他们在沙地上画画、建沙堡、挖沙渠,浪一来,沙子随波流逝,或是在建好的沙堡上凌空一脚,让其坍塌。可他们却总在这种“创造---破坏---再创造---再破坏”的循环中自得其乐。

沙子流动、短暂与多变的性质,使之具备了象征性的意义。由于沙子总在移动,稍纵即逝,所以代表了死亡与时间。我们知道,是亿万年的风雨磨砺造就了它的细微与光滑,经历了亘古久远的地质年代它才得以呈现,它讲述了人类意义上的永恒,这一点纵使山高如许,也难做到。踩在沙滩上的脚印,倏忽即逝,就像我们无法逃避的短暂一生。“时光如流沙”----而人们总将沙等同于时光流逝。一沙一世界,一花一天堂。无限掌中置,刹那成永恒。一粒沙中藏宇宙,刹那就是永恒?刹那有多短,永恒是多长?到底何为时间?或许这就是我为什么选用沙子来创作的原因吧。

十年的时光,我经历了生育、陪伴成长、舍弃和牺牲,体验生活带给我的喜怒哀乐、感动、委屈、无奈、不甘与焦虑,可每当我接触到沙的时候,心会如此的宁静......沙子细滑如丝,柔软亦且牢固,它流逝于指间,一点点沉淀,将时间凝固于画面,代替我去述说那生活的点点滴滴......


Creative self-narration

(1) Sand


Sand is a very magical thing. It always stirs our nerves and makes people want to touch it, shape it, and play with it. Playing in the sand is even more of a nature for children. Whether it is on the beach, amusement sandpit, or building a sand pile, even if it is just a small depression under a big tree, there are children having fun there. They draw pictures on the sand, build sand castles, and dig sand canals. When the waves come, the sand flows with the waves, or they volley on the built sand castles and let them collapse. But they always enjoy themselves in the cycle of "creation-destruction-re-creation-re-destruction".

The flowing, short-lived, and changeable nature of sand gives it a symbolic meaning. Since the sand is always moving and fleeting, it represents death and time. We know that hundreds of millions of years of wind and rain have made it subtle and smooth, and it has only been presented after an ancient geological age. It speaks of eternity in the human sense. This is difficult to achieve even if the mountains are as high as promised. The footprints on the beach are fleeting, just like a short life that we cannot escape. "Time is like quicksand"-and people always equate sand with the passing of time. One sand one world, one flower one heaven. Infinitely placed in the palm, an instant becomes eternity. The universe is hidden in a grain of sand, and that moment is eternity? How short is an instant, and how long is eternity? What is time anyway? Maybe this is the reason why I choose sand to create.

In the past ten years, I have experienced childbearing, accompanying growth, abandonment and sacrifice, and experienced the joys, sorrows, emotions, grievances, helplessness, unwillingness and anxiety that life brings to me. But whenever I touch the sand, my heart will be like this. The tranquility of...The sand is as smooth as silk, soft and firm. It flows between the fingers, a little bit of precipitation, freezing time in the picture, and replacing me to tell the bits and pieces of life..... .


罗甜甜《中国“她”艺术》代表性艺术家

小V先生的一泡尿 综合材料 2019

Mr. V's Piss

Mixed media

直径20cm


罗甜甜《中国“她”艺术》代表性艺术家

生孩子的女人 综合材料 2020

A Woman Who Gives Birth

Mixed media

直径80cm


(二)放大的儿童涂鸦


受我的影响,我的孩子也喜欢涂涂画画,那个时候他还不会写字,涂鸦便是他对这个世界,对生活感受的一种的表达。我从他的涂鸦中看到了那种纯真的、不加修饰的、原始的、鲜活的形象,我把他们提取出来,放大、嵌入沙中。我创作了《小V先生的一泡尿》、《生孩子的女人》等一系列放大儿童涂鸦的综合材料作品。“屎尿屁”永远都是孩子们最感兴趣的话题,一群孩子中有一个提到这个问题,接下来就会一发不可收拾,每个人都画上了拉屎、拉尿的人,我的孩子也不例外。其实想想,婴儿时期,“屎尿屁”是他们最直接的感官体验,而每一位母亲那个时候又何曾不是每天都在和“屎尿屁”打交道呢?于是便有了《小V先生的一泡尿》。

几乎每一个母亲都会被自己孩子追问“我是从哪来的?”这是一个生命起源的问题。孩子对“生孩子”这件事情充满了好奇,刨根究底。母亲们往往会编一堆的故事来忽悠孩子,可随着他渐渐长大,不再满足你编的故事。于是我带他去了科技馆,科普了人类胚胎发育的知识,聆听胎儿的模拟心跳,讲述如何剖腹产子。这一切对他来说,太震惊了,他很抱歉自己的出生让妈妈承受那样的疼痛。于是那段时间他的画上出现了怀孕的女人和生孩子的场景。生产的疼痛的确刻骨铭心,但孩子通过产道出生的那一刻,他是否也很疼呢?于是,他画的《生孩子的女人》被我用沙子一点点呈现出来。


(2) Enlarged children's graffiti


Affected by me, my child also likes to paint and draw. At that time, he could not write. Graffiti was an expression of his feelings about the world and life. I saw the innocent, unmodified, original, and vivid images from his graffiti. I extracted them, enlarged them, and embedded them in the sand. I created a series of comprehensive material works that magnified the graffiti of children, such as "Mr. "Shit, pee, fart" is always the most interesting topic for children. One of a group of children mentioned this problem, and then it will be out of control. Everyone draws people who poop and pee, my Children are no exception. In fact, think about it, in infancy, "shit pee" is their most direct sensory experience, and every mother at that time was not dealing with "poop pee" every day? So there was "Mr. V's Piss".

Almost every mother will be asked by her children "Where did I come from?" This is a question of the origin of life. The child is full of curiosity about the matter of "giving a child", and get to the bottom of it. Mothers often make up a bunch of stories to fool their children, but as he grows up, he no longer satisfies the stories you make up. So I took him to the Science and Technology Museum, where I learned about human embryonic development, listened to the simulated heartbeat of the fetus, and explained how to give birth by caesarean section. All this was so shocking to him, he was sorry that his birth caused his mother to endure such pain. So during that time, scenes of pregnant women and childbirth appeared in his paintings. The pain of childbirth is indeed unforgettable, but at the moment the child is born through the birth canal, does he also feel pain? As a result, his painting "The Woman Who Gives Birth" was presented with sand a little bit by me.

罗甜甜《中国“她”艺术》代表性艺术家

100年前的密语 综合材料 2020

Code Word from 100 Years Ago

Mixed media

直径80cm


罗甜甜《中国“她”艺术》代表性艺术家

他只是个孩子 综合材料 2021

He Is Just A Child

Mixed media

37x50cm


(三)摩斯密码


不知从什么时候起,我的孩子突然对谍战片感兴趣,他时常会模仿发报的滴滴声,在纸上长长短短、点点划划的鬼画符,美其名曰“摩斯密码”。看着这些点点划划,突然觉得很有趣,于是我去学习了的基本的摩斯密码编辑。摩尔斯码在早期无线电上举足轻重,是每个无线电通讯者所须必知的。由于通讯技术之进步,各国已于1999年停止使用摩尔斯码。这种古老的、交错的、带有隐秘性的电码具有技术及艺术的特性。电影《风声》中就是采用在衣服上缝出摩尔密码,将消息传播出去。而这些点点划划的符号,更有一种抽象而神秘的艺术美感。

随着孩子进入小学,我和千千万万的家长一样,开启了辅导作业的要命工作。不知道从什么时候起,中国孩子的教育问题困扰了成千上万的家庭。在这样的教育大环境、大氛围下,对教育清醒的我一样陷入到焦虑、失控和歇斯底里中。曾一段时间,孩子觉得妈妈突然变得像魔鬼一样可怕。在情绪即将失控的边缘,我不停的在心中默念“他只是个孩子,他只是个孩子......”我需要释放!而心中的默念就像是在隔空发送一段电报:滴滴、滴滴、滴滴......他只是个孩子!他只是个孩子!可是又有多少家庭的窗户里飘出同样的电报,隔空互相传递着。因此,我把“他只是个孩子”编成摩斯密码,藏入沙中。(“他只是个孩子”的摩斯码-..---.--.-.--./-.-..-----.-.-./--..--...-.----/-..---...-.-.-./-.--.--.--.-..-/-.--.--.-.-....)


(3) Morse code


I don't know since when, my child suddenly became interested in spy films. He would often imitate the sound of the news, and put the long and short dotted ghost symbols on the paper, nicknamed "The Morse Code." Looking at these dots and strokes, I suddenly felt very interesting, so I went to learn the basic Morse code editing. Morse code played an important role in early radio, and it is a must-know for every radio communicator. Due to the advancement of communication technology, various countries stopped using Morse code in 1999. This ancient, interlaced, and secret code has technical and artistic characteristics. In the movie "The Wind", the Moore code is sewn on the clothes to spread the news. And these dotted symbols have an abstract and mysterious artistic beauty.

As my child entered elementary school, I, like thousands of parents, started the horrible job of tutoring homework. I don't know since when, Chinese children's education problems have plagued thousands of families. In such an educational environment and atmosphere, I, who is sober about education, are also in anxious, out of control and hysterical. For a while, the child felt that his mother suddenly became as scary as the devil. On the verge of losing control of my emotions, I kept meditating in my heart "He is just a child, he is just a child..." I need to release! And the meditation in my heart is like sending a telegram in the air: drops Di, Di Di, Di Di...He is just a child! He is just a child! But how many families have the same telegrams floating in the windows, passing each other in the air. Therefore, I compiled "he is just a child" into a Morse code and hid it in the sand. (The Morse code of "He is just a child" -..---.--.-.--./-.-..-----.-.-./--..--. ..-.----/-..---...-.-.-./-.--.--.--.-..-/-.--.--.- .-....)


罗甜甜《中国“她”艺术》代表性艺术家

火车开过沼泽地 综合材料 2019

The Train Went Through The Marshes

Mixed media

37x50cm


罗甜甜《中国“她”艺术》代表性艺术家

移动的房子 综合材料 2019

Moving House

Mixed media

37x50cm


(四)蓝色


我很喜欢蓝色,尤其是克莱因蓝。早期的油画作品,也用到了蓝色。那个时候,我像一条深海里的鱼,游弋在幽暗的谷底,找不见同类,看不见光,我的孤独是蓝色的。

伊夫•克莱因(Yves Klein)说:“蓝色是天空,是水,是空气,是深度和无限,是自由和生命。蓝色是宇宙最本质的颜色。”我把沙子染成蓝色,也许是对早期作品的一种延续,也许就是因为这是宇宙最本质的颜色,也许就是因为纯粹的喜欢,也许埋在心底的孤独仍是蓝色。就让这蓝色的沙子,替我无声地述说吧......

罗甜甜

2021年7月26日于重庆


(4) Blue

I like blue very much, especially Klein blue. Early oil paintings also used blue. At that time, I was like a fish in the deep sea, swimming at the bottom of the gloomy valley. I couldn't find the same kind, couldn't see the light, and my loneliness was blue.

Yves Klein said: "Blue is the sky, water, air, depth and infinity, freedom and life. Blue is the most essential color of the universe." I dye the sand blue. Color may be a continuation of the earlier works, maybe because it is the most essential color of the universe, maybe because of pure love, maybe the loneliness buried in my heart is still blue. Just let this blue sand speak silently for me...

Luo Tiantian

Chongqing, July 26, 2021


罗甜甜《中国“她”艺术》代表性艺术家

飞机 综合材料 2020

Plane

Mixed media

30x30cmx9


主要个展

2010 呼吸——罗甜甜作品展,新时代画廊,北京,中国

主要联展

2017“符说有道”王小箭个人收藏|邀请展,重庆商道文化展馆,重庆,中国

2016 欢乐春节•艺术中国汇——中国当代艺术家作品展,大都会展览馆,纽约,美国

2015“美丽新世界”2015第二届南京国际美术展,南京国际展览中心,南京,中国

2015“出格”第三届湖南青年艺术家提名展,后湖国际艺术园区美术馆,长沙,中国

2015“所有历史都是主观的”第三届亚洲青年艺术家提名展,今日美术馆,北京,中国

2011 丧失共同的意识形态,INTERALIA艺术空间,首尔,韩国

2011“城市趣味” 首届明星名人当代艺术推荐收藏展,今日美术馆,北京,中国

2011 美好世界:70、80新一代女性艺术家邀请展,新时代画廊,北京,中国

2010 四川美术学院70周年展,四川美术学院,重庆,中国

2010“年青力量”艺术北京外围展,环铁时代美术馆,北京,中国

2010“现在-未来(NOW-FUTURE)”当代年轻艺术家群展,新时代画廊,北京,中国

2010 2010中国国际画廊博览会,中国国际贸易中心展厅,北京,中国

2010“惊喜”当代艺术展,杰森画廊,北京,中国

2009 新锐视觉——当代青年艺术家邀请展,苏州美术馆,苏州,中国

2009“各自话语”首届西部当代艺术交流展,长安当代美术馆,重庆,中国

2009“发现未来”当代年轻艺术家群展,新时代画廊,北京,中国

2009 CIGE 2009特别展:MAPPING ASIA 亚洲年轻艺术家个展:从东京到伊斯坦布尔,中国国际贸易中心展厅,北京,中国

2009“中国情境•重庆驿站”当代艺术大展,重庆501当代美术馆,重庆,中国

2008 2008新加坡国际艺术博览会,新加坡国际贸易中心展厅,新加坡

2008“快城快客2008上海双年展”川美年轻态特别展,上海徐汇区艺术馆,上海,中国

2008 独生宣言,新时代画廊,北京,中国

2008 新时代,新交融:中国-印尼新一代艺术家交流展,Edwin’s Gallery,雅加达,印度尼西亚

2008 首届五四国际年轻艺术节,虹湾国际艺术中心,北京,中国

2008 创新世代,各执已见,新时代画廊,北京,中国

2008 2008中国国际画廊博览会,中国国际贸易中心展厅,北京,中国

2008“杂烩川美”油画新人在成长——四川美术学院2008北京展,今日美术馆,北京,中国

2007 青涩创想计划:当代艺术院校大学生年度提名展,今日美术馆,北京,中国

2007“后伤痕”西南艺术现象群体研究展,华人当代美术馆,重庆,中国

2007“自我经验”青年艺术展,官家林当代艺术创库,重庆,中国


Selected Solo Exhibitions

2010 Breath—Luo Tiantian Works Exhibition, New Age Gallery, Beijing, China

Selected Joint Exhibitions

2017 "Fu Shuo You Dao" Wang Xiaojian Personal Collection|Invitation Exhibition, Chongqing Commercial Culture Exhibition Hall, Chongqing, China

2016 Happy Chinese New Year • Art China—Exhibition of Contemporary Chinese Artists, Metropolitan Pavilion, New York, USA

2015 "Beautiful New World" 2015 The 2nd Nanjing International Art Exhibition, Nanjing International Exhibition Center, Nanjing, China

2015 Special Preface for The 3rd Hunan Young Artists Nomination Exhibition, Houhu International Art Park Art Museum, Changsha, China

2015 "All History is Subjective" The 3rd Asian Young Artist Nomination Exhibition, Today Art Museum, Beijing, China

2011 Lost of Common Ideology, INTERALIA Art Space, Seoul, South Korea

2011 "Fun in the City" The First Celebrity Contemporary ArtRecommended Collection Exhibition, Today Art Museum, Beijing, China

2011 A Wonderful World: Invitational Exhibition of 70 and 80 New Generation Female Artists, New Age Gallery, Beijing, China

2010 The 70th Anniversary Exhibition of Sichuan Academy of Fine Arts, Sichuan Academy of Fine Arts, Chongqing, China

2010 "Young Power" Art Beijing Outer Exhibition, Huantie Times Art Museum, Beijing, China

2010 "NOW-FUTURE" Contemporary Young Artists Joint Exhibition, New Age Gallery, Beijing, China

2010 2010 China International Gallery Expo, China World Trade Center Exhibition Hall, Beijing, China

2010 "Surprise" Contemporary Art Exhibition, Jason Gallery, Beijing, China

2009 Cutting-edge Visual—Contemporary Young Artist Invitation Exhibition, Suzhou Art Museum, Suzhou, China

2009 "Separate Discourse" First Western Contemporary Art Exchange Exhibition, Chang'an Contemporary Art Museum, Chongqing, China

2009 "Discover the Future" Contemporary Young Artists Group Exhibition, New Age Gallery, Beijing, China

2009 CIGE 2009 Special Exhibition: MAPPING ASIA Solo Exhibition of Young Asian Artists: From Tokyo to Istanbul, China World Trade Center Exhibition Hall, Beijing, China

2009 "Chinese Situation • Chongqing Station" Contemporary Art Exhibition, Chongqing 501 Contemporary Art Museum, Chongqing, China

2008 Singapore International Art Fair 2008, Singapore International Trade Center Exhibition Hall, Singapore

2008 "Fast City Express 2008 Shanghai Biennale" Special Exhibition of Sichuan Fine Arts Institute Young State, Shanghai Xuhui District Art Museum, Shanghai, China

2008 The Only Child Manifesto, New Age Gallery, Beijing, China

2008 New Era, New Fusion: China-Indonesia New Generation Artist Exchange Exhibition, Edwin's Gallery, Jakarta, Indonesia

2008 The First May Fourth International Young Art Festival, Hongwan International Art Center, Beijing, China

2008 Innovative Generation, Different Perceptions, New Age Gallery, Beijing, China

2008 2008 China International Gallery Expo, China World Trade Center Exhibition Hall, Beijing, China

2008 "Hotchpotch Sichuan Fine Arts Institute" Oil Painting Newcomers Are Growing-Sichuan Fine Arts Institute 2008 Beijing Exhibition, Today Art Museum, Beijing, China

2007 Sentimental Creative Project: Annual Nomination Exhibition of College Students of Contemporary Art School, Today Art Museum, Beijing, China

2007 "Post Scar" Southwest Art Phenomenon Group Research Exhibition, Chinese Contemporary Art Museum, Chongqing, China

2007 "Self Experience" Youth Art Exhibition, Guan Jialin Contemporary Art Creation Library, Chongqing, China

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