01
“小猪”罗志祥又来深圳了
深圳新艺术生活风生水起
直接看图
罗志祥来干嘛？
侨城坊PL+艺术空间今天开幕，VIP活动今日举行，主要干了三件事：1、带来2020Laboratories Futura新品发布；2、特邀嘉宾罗志祥空降；3、世界冠军团队DJ Qbert助阵。全天候的热闹非凡！
侨城坊，今年初提出打造“生态X艺术X生活剧场”概念，全面兑现。必须点赞。
Futura是谁？
- 第一位与音乐进行跨界合作的街头艺术家，Silly-thing的TK和陈冠希都有邀请过Futura去他们的办公室作画。
- 90年代，开始和音乐厂牌Mo’ Wax进行合作，创作了黑胶唱片和CD的封面。
- Nike, Supreme, Converse, Uniqlo, BAPE, Medicom Toy等许多品牌都曾邀请Futura进行跨界联名，创作领域包括球鞋、服饰、潮玩等等，甚至是杂志也会邀请Futura来设计封面。
- 他在新加坡、香港、欧美举办的展览，全都一票难求。而Futura的沉浸体验，只有东京才有。这次，侨城坊引入，各位抓紧去“潮”。
- 与日本玩具厂牌Medicom Toy合作带来100％及400％尺寸的Be@rbrick Box Set，采用上如云石一般底色，注入Futura经典的抽象艺术线条以及字体。
- Hennessy、BEATS、G-SHOCK等品牌也曾与Futura合作过，令人眼前一亮。
- 在上周刚刚结束的富艺斯香港秋拍当代专场上，Futura今年创作的涂鸦绘画作品高出估价40万，最终以62.5万（港币）的价格成交。
- Off-White™ c/o Futura发布了T恤、长裤、靴子等新单品，在Off-White 2020春夏系列在巴黎男装周上，模特穿上由Virgil Abloh与Futura共同创作的系列服饰走秀。……
Futura还有更多的成绩单 跨界能手
有艺术理想的家庭必须带娃去打卡
有相当绘画或者色彩“控”
你必须前往下一个展
02
KennaXu画廊
马树青作品展12月19日开幕
展览时间 | Public Exhibition
2019.12.19-2020.03.10
11:00-20:00（逢周一休息）
开幕式 | Opening ceremony
2019.12.19 15：00
103, building 64, Yitian village, Futian District, Shenzhen
色 · 物 · 空间
马树青作品展
本次展览是KennaXu画廊开幕首展，结合画廊空间极简 | 纯白 | 通透的属性，邀请艺术家马树青先生在现场多次实地探讨和研究后，专门为此创作了一批最新的探索实验性作品。艺术家、展览和空间三者高度融合后，画廊本身就是一件精彩的作品。
Kenna
——绘画中的空间来自绘画的边界。
——绘画是时间、空间和色彩的组合。
——只有当色彩成为物，才会与空间对话。
马树青
Color · object · space
Ma Shuqing Solo Exhibition
This exhibition is the first one of KennaXu Gallery's opening. In combination with the minimalism, pure white and transparent nature of the gallery space, Mr. Ma Shuqing, was invited to discuss and Study in the gallery for many times. After that, he specially created a batch of latest exploratory and experimental works for this purpose. Artist, exhibition and space are highly integrated, the gallery itself is a wonderful art work.
Kenna
——The space in painting comes from the boundary of painting.
——Painting is a combination of time, space and color.
——Only when color becomes an object, can it talk with space.
Ma Shuqing
无题2019S11. | Untitled 2019S11.
2019
丙烯颜料综合材料，木板亚麻布面 | Acrylic pigment composite material, wood linen cloth
76 X 66 cm
无题2019S14. | Untitled 2019S14.
2019
丙烯颜料综合材料，木板亚麻布面 | Acrylic pigment composite material, wood linen cloth
直径 78 cm | Diameter 78 cm
无题2019S15. | Untitled 2019 S15.
2019
丙烯颜料综合材料，木板亚麻布面 | Acrylic pigment composite material, wood linen cloth
72 X 61 cm
马树青
1976 毕业于天津工艺美术学校
1989 就读于德国慕尼黑美术学院自由绘画专业
1994 移居法国巴黎 普罗旺斯
2003 在北京798建立个人工作室 生活工作于北京、巴黎
2015-2018 任天津美术学院油画系特聘教授 ,硕士生导师，中国美术家协会会员
个展
2019 《色 · 物 · 空间 马树青作品展》，KennaXu画廊，深圳
2018 《三原色绘画研习》，ZAP798艺术区，北京
2018 《着悦》驻留工作室，杜塞尔多夫，德国
2018 《叠加与重复》，亚洲艺术中心，北京
2018 《PAINTING ON&IN》，狮语画廊，香港
2017 《马树青个展》，银川美术馆，宁夏
2016 《粉.尘》，台湾亚洲艺术中心 ，北京
2015 《形象研习》，璘宝轩画廊，上海
2015 《劳作》，Cheng艺术空间，北京
2015 《如何画出一幅性感的画》，中间美术馆，北京
2014 《触碰》，奥沙画廊，香港
奖项
1987 油画《牧牛图》参加第一届中国油画展（获优秀奖）
1985 第六届全国美展 油画《嫁女》入选并评为优秀作品
Ma Shuqing
1976 Graduated from Tianjin Academy of Arts and Crafts
1989 Graduated from Professional Free Paint, Munich Fine Arts Academy,
studied with Prof. Troeger and Prof. Zeniuk
1994 Moved to Paris & Provence, France
2003 Established a studio in 798 art district, Beijing China.
2015 Distinguished professor of Tianjin Academy of Arts and Crafts
Now Lives and works in Beijing, China & Paris, France
Solo Exhibitions
2019 《Color · object · space 》Ma Shuqing Solo Exhibition，KennaXu Gallery，Shenzhen
2018 《PAINTING ON & IN》MA SHUQING SOLO EXHIBITION ，Leo Gallery，Hong Kong
2018 《A Study in Three Primary Color Painting》，ZAP798，beijing
2018 《Mit Heiterkeit》，Gastatelier HOHERWEG，DUSSELDORF，Germany
2018 《Overlaying and Repeating》，Asia Art Center，Beijing
2017 《Ma Shuqing Solo ExhibitionsYinChuan Art Museum，Ningxia
2016 《Powder. Dust》，Taiwan Asia Art Center, Beijing
2015 《Image Study》，Linbaoxuan Art Gallery, Shanghai
2015 《Works》，Cheng Art Space, Beijing
2015 《How to Make a Sexy Painting》， Inside-Out Art Museum, Beijing
2014 《Touch》 ，Osage Art Gallery, Hong Kong
Awards
1987《Cattle Figure》 Excellence Award of the 1st National Oil Painting Exhibition of China
1985 《Married Daughter》 , Excellence Award of the 6th National Art Exhibition of China
关于KennaXu画廊 / About KennaXu Gallery
KennaXu画廊立足于深圳粤港澳大湾区，定位为“国际视野、个案研究、实验未来”，学术性、实验性的艺术机构。致力于为艺术家、收藏家、艺术爱好者服务的国际性艺术交流平台。
KennaXu Gallery was based in the China Great Bay Area of Shenzhen. It positioned as an academic and experimental art institution with an international vision, by establishing the case study to perform an experimental future. It is also devoting itself as an art exchange platform to serve artists, collectors and art lovers.
抽象艺术“控”
则必须前往下一个展
03
蓝岸画廊
时间与空间的视角
谭平、马树青、冯良鸿、鲍蓓的抽象艺术实践
《时间与空间的视角——
谭平、马树青、冯良鸿、鲍蓓的抽象艺术实践》
开幕时间 | 2019.12.21（周六）15:00
展览时间 | 2019.12.21 - 2020.02.08
（周一至周日 10:00 - 22:00 ）
The Perspective of Time And Space —
Abstract Art Practice of Tan Ping, Ma Shuqing, Feng Lianghong, Bao Pei
Opening | 2019.12.21 (Sat.) 15:00
Duration | 2019.12.21 - 2020.02.08
(Monday to Sunday 10:00 - 22:00）
Address | Lan Gallery
（No.9 Bld.3F O’PLAZA OCT Harbour Nanshan District Shenzhen）
蓝岸画廊 展览现场
“抽象”这个名词源于哲学，本意是从许多具体的事中，舍弃个别的非本质的属性，抽出共同的本质的属性。当现实以精确的尺寸与标准让心与视线受禁锢，抽象艺术给了我们无边无际的漫游空间和没有围墙的时空感应。
本次展览将展现艺术家在不同创作时期对于个人艺术语言的探索过程和独特的创作过程，深刻感受艺术在其推进过程中迸发出的五味杂陈。
蓝岸画廊 展览现场
LAN Gallery is pleased to present The Perspective of Time And Space, a group exhibition featuring four outstanding Chinese contemporary artists: Tan Ping, Ma Shuqing, Feng Lianghong, Bao Pei.
The term "abstract" is derived from philosophy. It means to discard the individual non-essential attributes of many concrete things and extract the common essential attributes. While reality keeps our mind and sight in bondage with limited dimensionsand standards, abstract art gives us boundless space to roam and time-space sensing without walls.
This exhibition, which explores the artistic language and unique creative process of each individual artists in their different stage of career, and deeply feel the mixed emotions of art in the process of its development.
谭平：无论在任何时期，一个艺术家保持对真实生存状态的表达是非常重要的。
Tan ping: At all times, it is very important for an artist to maintainthe expression of the real living state.
谭平 《无题》 60cmx80cm 纸本综合 2018
Tan Ping Untitled 60cm x 80cm Mixed Material on Paper 2018
对谭平而言，画画是他的专业，更是“我之所以是我”的一个必需，抽象艺术不是没有具体形象的画面，而是对世界的认识、对生命的认知、对艺术的理解的具体表达。
展览将展现谭平在抽象领域的探索思路。从线条架构，到叠加和覆盖，谭平不断“净化”表达方式，不断做“减法”，在至简至纯的风格变化中，日臻进入一种非常个人化的境界。
意大利策展人Archile Bonito Oliva曾用“不停顿充满扩展性的创造”来评价谭平的作品。的确，以其生活、思想和自身独特性为核心的版画、油画、纸本综合、具象、抽象等形成了谭平在“不停顿扩展”过程中的无数条线。作为中国最重要的当代艺术家之一，谭平对创作与时代的思考从未停止。
蓝岸画廊 展览现场
For Tan Ping, painting is not only his major, but also the reason that he is as he is. Abstract art is not a picture without specific images, but a concrete expression of the understanding towards the world, the cognition of life and the comprehension of art.
The exhibition will witness Tan Ping’s exploration theory in the field of abstract art. From the structure of lines to the Covering series, Tan Ping has constantly subtracting, "purifies" his method of delivering and gradually into a very personal realm.
The Italian curator Archile Bonito Oliva once evaluated Tan Ping's works as “creation without pause and full of extensibility”. Indeed, with his life, thoughts and his own uniqueness as the center, his printmaking, oil painting, paper synthesis, concrete painting and abstract art has formed as countless lines in Tan Ping’s creating process of “continuous expansion”. As one of the most important contemporary artists in China, Tan Ping never stops thinking about creation and times.
马树青：时间、空间和色彩，这是我绘画的全部。
Ma Shuqing: Time, space and color, that’s all I paint.
马树青 《无题》 180cm x 180cm 丙烯亚麻布 2006
Ma Shuqing Untitled 180cm x 180cm Acrylic on Canvas 2006
在马树青对绘画的长期探索中，时间、空间和色彩总是作为最重要的元素和讨论对象而存在。展览将呈现在马树青的创作过程中，以他的逻辑思考和表达方式的变化为核心形成的时间轴。
马树青认为，世界由两部分组成，“一部分是可视而另一部分则不可视，我们必须借助可视让不可视成为可视，这大概也是绘画的精彩所在。”他视色彩为感知空间和时间的媒介，通过堆叠、覆盖彰显色彩本身的浑厚感和空间感，覆盖和塑造的过程则承载了时间对空间的影响力。时间和艺术家个人思考在推进，可视与不可视的关系、在画面中的存在方式随之发生了巧妙的演变。
“画家只不过是在通过绘画去思考”是马树青对绘画的定义，当抽象的逻辑思考成为绘画过程中的自觉状态，他也在绘画中得到了自由。
马树青 《无题》 32cm x 25cm 丙烯亚麻布 2019
Ma Shuqing Untitled 32cm x 25cm Acrylic And Mixed Media 2019
In Ma Shuqing's long-term exploration of art, time, space and color always exist as the most important elements and objects of discussion. The exhibition will present the timeline of Ma Shuqing’s creation process that centered with the changes of his logical thinking and expression throughout his career.
According to MaShuqing, "the world is made up of two parts, one is visible and the other is invisible. We must make the invisible part visible through the visible method, which is probably the beauty of painting." He sees color as a medium for perceiving space and time, and through stacking and covering, to highlights the sense of rich and space of color itself. The process of covering and shaping has also bears the influence of time on space. Time is advancing alone with the critical thinking of artist, and therefore the relationship between the visible and the invisible in the picture is subtly evolving.
"The artist just do the thinking through painting" is Ma Shuqing's definition of painting. When his abstract logical thinking becomes a conscious state in the process of painting, he also gets the freedom in creating.
冯良鸿：回归个体，找到自己的立足点，然后画下去。
Feng Lianghong: Return to the individual, find where you at, and then keep painting.
冯良鸿 《黄与绿16-3-6》 120cm x 100cm 布面油画 2016
Feng Lianghong Yellow And Green 16-3-6 120cm x 100cm Oil on Canvas 2016
80年代初，冯良鸿已走在了抽象绘画的道路上，经历了艰辛曲折的探索后他回归了绘画艺术的本体。
对冯良鸿而言，“绘画自身形式表现的制约与内涵包容的无限”极具吸引力，每次绘画就像 “一次扑朔迷离的旅程，充满了惊喜、焦虑和不确定性”，绘画的过程永远比最后的作品更令他着迷。
冯良鸿认为“抽象绘画的魅力在于细节的感人”。他作品中的每一处偶然都是他精心尝试后留下的必然，他在反复实践中找寻绘画的可能性，在不确定中将其确定。
他注重个人感受高于一切，绘画的生命在于体验、冒险和自由。如今，对他而言，回到个体，在一条看似狭窄却极为个人化的道路上不断深挖，寻找新的可能性，是未来拓宽绘画边界的必由之路。
In the early 1980s, Feng Lianghong has already walked on the path of abstract painting. After hard and winding exploration, he returned to the essence of the art of painting.
For Feng Lianghong, the restriction of the form of painting itself and the infinite inclusion of its connotation are extremely attractive. Every painting is like a confusing journey, full of surprise, anxiety and uncertainty. The process of painting always fascinated him more than the final work does.
Feng Lianghong believes that the charm of abstract painting lies in the touching details. Every fortuity in his works is the necessity left by his careful attempts. He searched for possibilities in several repeated practices and confirmed them in uncertainty.
Feng Lianghong values personal feelings above all else. The life of painting lies in the experience of adventure and freedom. Now, for him, the only way to broaden the boundaries of painting in the future is to return to the individual, to dig deeper and find new possibilities on a seemingly narrow but highly personal path.
——————
鲍蓓：绘画对我来讲，已不是绘画。
Bao Pei: Painting is no longer just painting to me.
鲍蓓 《巳时/床中观雨人》 80cm x 150cm 纸上综合材料、油墨、堪培拉 2019
鲍蓓主要的创作语言是以版画为基础而叠加多种综合材料。这种语言方式是从写实中转换形式，更接近一种心灵表述，而不像写实绘画更注重视觉的真实。这其实更接近中国传统绘画所讲的意境。
鲍蓓作品中的刻痕、肌理、色彩，透着浓浓的岁月感受、人生经历、社会经验。创作于她，是表达，也是内省。“我们应该明白对所有东西的来或去都应坦然接受、顺其自然。自然就是该发生就发生了，来来去去皆是自然，如同画面中的色彩与线条有自己的生命一样。”
鲍蓓认为，一个人从生活中提取的，不是越多越好，而是越精越干净越好。就像作品中的一两根线条，它可能是千千万万的线条铺垫而来的，“简化”而来的“深刻”。
蓝岸画廊 展览现场
Bao Pei's major creative language is based on printmaking and overlaying a variety of comprehensive materials. This kind of language is more close to a kind of spiritual expression. It is opposite to realism painting that pays more attention to the visual reality. It actually closer to the artistic conception of traditional Chinese painting.
The texture and color in Bao Pei's works reflect the profound experience of life, emotion and society. The process of creation for her is expression, but also introspection. "We should know that we need to accept everything as it comes and goes. Nature is what happens when it is meant to happen. It comes and goes naturally, just as the colors and lines in art work have a life of their own."
Bao Pei thinks that people should extract things from life as clean as possible. It’s like a line ortwo in the art work, it maybe the result of thousands of lines, but it has a profound simplicity.
抽象，是宇宙的自然本质，也是人类认识世界的一种视觉方式。欣赏抽象美是人类的天赋，也是人类不可缺少的生命方式。本次展览将从宏观角度展现艺术家不同时期的风格演变，同时挖掘艺术家在创作过程中的思考，展开跨越时空的命题讨论。
Abstract is the nature of the universe, and it is also a visual way for people to understand the world. To appreciate the beauty of abstract art is a talent human has, and also an indispensable way of life. The exhibition will present the evolution of the artists' styles in different stage in their career from a macro perspective, explore the artists' mental experience in theprocess of creation, and launch a discussion on topics that span time and space.
04
再来研究研究
PL+ART艺术空间
相信今年6月举办的Ron English新作大展
已成为不少玩家、潮流爱好者心中
记忆深刻的大事件
而在20世纪10年代的末尾
又一场 国际级 的潮流盛事
即将席卷深圳
带你跨越至新的时代
如果你之前错过了Ron English
那这次没有理由再缺席
这场跨时代的潮流盛事！
街头艺术传奇人物、涂鸦艺术大师——Futura，将携自创品牌FUTURA LABORATORIES，在全新开幕的PL+艺术空间，带来名为「RIGHT HERE RIGHT NOW」的沉浸式体验，从12月22日持续至2020年1月19日
以令人意想不到的方式，融合艺术与科技，先锋性演绎Futura作品中最常见的标志元素“Pointman外星人” 和 “原子图案”
同时，你还可以在现场近距离观赏早前在东京The Mass艺廊展出的多幅Futura原作，以及多件全新画作与大型潮玩！戳这里看（村上隆也来打卡的Futura全新个展）
想知道PL+艺术空间会展出哪些艺术作品？只有来现场一探究竟！
最重磅的是，Futura将出席VIP开幕典礼（仅对受邀嘉宾开放），特别嘉宾罗志祥也将现身，超能创作人查可欣担任嘉宾主持
由世界冠军组成的美国顶尖街舞团队A.O.V.，3位世界冠军代表与3次拿到DMC世界冠军DJ Qbert，将在现场一显身手，秀出世界顶级水准的舞蹈和音乐，极富感染力的表演，势必嗨爆全场！
作为Pop Life Global跨界合作的全球首家艺术交互体验旗舰店，PL+艺术空间当然少不了可以带回家的艺术衍生品！
本次Futura的自创品牌FUTURA LABORATORIES，将在PL+首发2020年最新潮玩及服装、配饰类潮流单品
其中这款潮玩，来自Futura创造的经典标志形象之一——Johnny，亚洲限定，限量2000，再加上独特的造型搭配炫彩的外观，天啊，钱包捂不住了！
还有多件以经典形象演变的潮玩、徽章等，极具收藏价值
同时发售T恤、卫衣、连帽衫、工装、帽子包包等潮流单品，穿上你就是整条街最cool的仔！
12月22日，将举办PL+侨城坊街舞大赛，8位资深评审坐镇，围观街舞选手在线battle！
12月6日至1月19日，在侨城坊负一层下沉广场举办潮玩市集，手办潮玩爱好者的福地！
Pop Life Global家经典的Grin系列，各种设计大咖的手办，让潮玩爱好者们爱不释手
还有麦胖系列、罗尼兔、丘比特环游世界盲盒、可乐猫，抱枕单肩包盘子......
OMG！买它！！
潮流艺术这个全新的文化符号正快速在深圳蔓延开来，Futura选择首次将沉浸式体验与2020新品发布落地深圳，是全球首次集沉浸项目、多幅画作、雕塑、多款潮玩、服饰于一体展示，从一个角度反映出深圳，拥有可能成为潮流文化地标城市的潜力。未来如何发展，就让我们拭目以待吧！
中国 · 深圳
2019年12月21日
PL+艺术空间盛大开幕
Futura莅临现场
特别嘉宾罗志祥空降
DMC世界冠军 DJ Qbert
舞动世界冠军团队倾情呈现
※21日为VIP开幕典礼 全球奢侈地产主编受邀
Futura携自创品牌Futura Laboratories带来
「RIGHT HERE RIGHT NOW」
沉浸式体验及2020新品发布
2019/12/22 - 2020/01/19
期间对公众免费开放
主办方
Pop Life Global跨界合作的全球首家艺术交互体验旗舰店，是一个将潮玩、艺术、科技完美融合的沉浸式体验空间。借助光影互动、全息音响等炫酷艺术装置，令人获得非凡的交互体验。联袂Pop Life Global引入风靡全球的潮玩和艺术大咖作品，让粉丝全方位融入Futura、Ron English等一线潮流艺术家的奇幻世界。这是一个充满了娱乐性、艺术感和互动元素的孵化器，完美还原美国街头艺术创作场景，期待沉浸于此会有更多原创艺术灵感乍现。
05
中国木偶戏剧节今日开幕
孙红雷配合启幕
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