福羲国际将于2019年05月01日新加坡精品拍卖会呈献逾400件精彩拍品，焦点拍品以及各大重要亚洲私人收藏之艺术珍品将会陆续呈献。
传承华夏文化之字画场甄选：
郎世宁清宫御造掐丝珐琅摘集锦/Palace Painter of Qing Dynasty: Lang Shining
长：600cm 宽：25cm
L：600cm W：25cm
本图绘册页十开，由清初著名宫廷画师郎世宁（1688—1766）绘制，郎世宁于康熙五十四年（1715）来中国传教，随即入宫进入如意馆，成为宫廷画家，曾参加圆明园西洋楼的设计工作，历任康、雍、乾三朝，在中国从事绘画达50多年。图绘铜胎掐丝珐琅共计十件，皆为传世重要名件，为历代皇室珍藏，乾隆皇帝尤宝爱之，命其绘制成册，以便随时翻阅，可见其珍贵。
The album is painted by lang shining (1688-1766), a famous court painter in the early qing dynasty. Lang shining came to China for missionary work in the 54th year of emperor kangxi (1715). He then entered the palace and ruyi pavilion and became a court painter. The picture draws the copper tire pinches the silk enamel to total 10, all passes on the world the important name piece, for each successive dynasties royal family treasures, emperor qianlong you bao loves, orders its to draw the book, in order to look through at any time, visible its precious.
袁江 绿野堂图/Qing Dynasty Painter Yuan Jiang: Green Field Hall Picture
长：152.7cm 宽：79cm
L：152.7cm W：79cm
袁江（1662年—1735年），字文涛，号岫泉，清康、雍、乾时期最杰出的界画家，是中国绘画史上有影响画家，宫廷画家，专攻山水楼阁界画。“绿野堂”是袁江笔下经常画的题材之一。“绿野堂”是一处历史上有典故的建筑物。它是唐朝著名宰相裴度的私人园林。他晚年退休至洛阳，在城郊建了园林，以“绿野堂”命名。他在庄园中宴请容留宾客，与会者皆以此为荣，一时传为佳话。袁江所画的“绿野堂”，都是环境优美，建筑精致的场所，应当是他们按照当时见到的南方园林建筑融会综合而画成的，既属于想象的产物，又有实际的建筑物为蓝本；此幅“绿野堂图”是袁江在康熙六十一年所画的作品，题识为“壬寅清和月、仿郭忠恕意、画于绿野堂、邗上袁江。”画上有气势磅礴的山水，还有造型严谨准确的亭台楼阁，线条舒展流畅，尺度宏大，形态稳定，整张画作看起来既自然又生动，无论是建筑还是山水都刻画得各尽其美，精细非凡。是袁江巅峰作品之一，非常值得收藏。
This "Green Field Hall" was painted by Yuan Jiang in 61 years of Kangxi. It is inscribed as "Ren Yinqing and Yue, imitating Guo Zhongshuiyi, painting in Luyetang and Hao Shang Yuanjiang". There are magnificent mountains and forests, pavilions and pavilions with precise and precise shapes, smooth lines, grand scale and stable shape. The whole painting looks natural and vivid. It is one of the peak works of Yuan Jiang in his early years, both in architecture and landscape.
董其昌 行书《雪赋》 手卷/Dong Qichang, Calligrapher of Ming Dynasty: Xue Fu
长：338cm 宽：25cm
L：338cm W：25cm
引首：崇祯珠光。王伯敏书。钤印：王伯敏印
题识：相如于是避席而起，逡巡而揖……纵心皓然，何虑何营？其昌。
题跋：此董其昌行书横卷，系余家祖传物，五十年代初期，曾请张宗祥、沙孟海、朱家济诸前辈鉴定过，认为确系董氏手书真迹。
Lead: chongzhen pearl light. Wang bo min book. QianYin: Wang Bomin print
Then we will move from the bow to the bow... Vertical heart hao ran, what about what camp? The chang.
Postscript: this horizontal scroll of dong qichang's calligraphy is a family heir-hand of yu family. In the early 1950s, zhang zongxiang, sha menghai and zhu jiaji were invited to appraise it, and it was believed to be an authentic calligraphy of dong family.
董其昌 飘渺云烟图/Dong Qichang, Calligrapher of Ming Dynasty
长：237cm 宽：27cm
L：237cm W：27cm
题识：云岚巧吞吐，幻出青黄客，宁轩复长啸，狂杀米南宫。玄宰画并题。辛酉春日画并题。
印文：太史氏、董其昌印、真赏斋
鉴藏印：玖珃平生至爱之物、业取碧簃
Knowledge: cloud arashi qiao huff and puff, unreal green yellow guest, ning xuanfu loud, crazy killing meters south palace. Xuanzai painting and inscription. Xin youchun drew and inscribed.
Seal: tai shi shi, dong qichang seal, zhen shi zhai
Guide CangYin: nine 珃 for love in my life, take green industry
曾国藩 楷书《伯夷颂》/Qing Dynasty: Zeng Guofan
长：172cm 宽：50cm
L：172cm W：50cm
题识：孟子七篇多自况之言，韩公亦然。如伯夷颂、获麟解、龙说、马说、原毁、进学解、与孟简书、答吕医书等篇，皆矫首自况，宋玉对问之流，读之令人气壮。孔子之所谓狂也。眉生仁弟索书此颂，因并论之。国藩。
钤印：曾国藩印
Epigraph: mencius' seven texts are mostly self-state words, and so is the duke of han. Such as boyi song, get Lin solution, long said, ma said, the original destruction, into the study of the solution, and meng jian shu, answer lu medical books, etc., all correct their own situation, song yu to ask the flow, reading the inspiring. Confucius called it crazy. This ode was also touched by the name of mei sheng rendi. The San Francisco.
QianYin: zeng guofan print
冯宁 平安驈图/Painter of Qing Dynasty: Ping'an Junma Tu of Feng Ning
长：160cm 宽：100cm
L：160cm W：100cm
此类作品，因是皇帝谕旨订制，并归清宫保管，未见有赐予大臣的记录，故民间所见寥寥。十多年来国内拍卖中，仅见一幅同类作品，即中国嘉德1998年春拍423号作品—张为邦绘《乾隆皇帝御骑图》，时以113万元高价成交。冯宁此作尽管尺幅巨大，仍能保持清宫装裱，更属难得。
This kind of works were ordered by the emperor and kept by the qing court. There was no record of granting a minister, so few of them were seen among the people. In domestic auction for more than 10 years, see only a congener work, namely China jiade was patted 1998 spring 423 works - zhang weibang is drawn "qianlong emperor is royal ride chart", when clinch a deal with 1.13 million yuan high price. Feng ning this although the ruler is huge, still can maintain the qing dynasty mounted, is more rare.
张大千 碧水映荷/Painter: Zhang Daqian's blue water reflects lotus
长：127cm 宽：76.5cm
L：127cm W：76.5cm
整幅画，构图饱满，疏密有致，用笔豪放大气，格调清新典雅，荷花超凡脱俗、生机盎然、蒸蒸日上的美丽与意蕴，令人浮想联翩，回味无穷。尤其是其纯熟的功底与老辣的技法，于浑朴中见清秀，于洒脱中含缜密，于酣畅中寓意蕴，令人称道折服。张大千爱荷，一生画荷无数，他以"君子之风，其清穆如"喻荷，盛赞其高洁。张大千拓宽了花卉绘画所能抵达之意境，可谓中国色彩的重生。此幅《碧水映荷》上还附有：何香凝、李秋君、沈钧儒、尚小云、金蓉镜、任率英、溥伒、陈秊、吴朴等九人的题字，更是起到了画龙点睛之作用，使得此幅佳作更为珍贵，是世间绝无仅有的传世珍品！
The whole painting, full composition, dense and delicate, with bold brush, fresh and elegant style, lotus extraordinary refined, vibrant, flourishing beauty and implication, make people imaginative and endless aftertaste. Especially its sophisticated skills and old and hot techniques, in the simple and beautiful, free and easy in the meticulous, in the smooth implied meaning, it is praised and convincing. Zhang Daqian loved lotus and painted lotus countless in his life. He praised his nobility by describing lotus with "the wind of a gentleman, its calmness". Zhang Daqian broadened the artistic conception of flower painting, which can be called the rebirth of Chinese color. The inscriptions of He Xiangning, Li Qiujun, Shen Junru, Shang Xiaoyun, Jinrong Jing, Ren Piying, Pu Ni, Chen Yu, Wu Pu and other nine people are also attached to this painting, which makes this masterpiece more precious and is the only handed-down treasure in the world!
张大千 山峦霞蔚 金笺纸本/Zhang Daqian: Shanfeng Golden Pen and Paper Book
长：82cm 宽：96cm
L：82cm W：96cm
张大千把传统精华充分吸取并借鉴西方绘画的现代思想，嫁接到中国传统山水画中大胆创新，巧妙的把东方美与西方美融合在一起，他的泼彩泼墨山水画作品看似现代与抽象，却不乏传统山水画得神韵，不露半点西方绘画的痕迹，在他的泼彩泼墨作品中，突出表现的是墨迹、色晕甚至很少有笔迹，注重追求形式以及诗韵意境。中国画的本土性阐扬，并不是要固守原来意义的“笔墨”，而是要在世界绘画的普泛性中展示自己独特风采。
Chang the traditional essence fully absorb and draw lessons from western painting of modern thought, grafted to the Chinese traditional landscape painting in the bold innovation, skillfully fuses in together, the eastern and western aesthetic spilt colour splash-ink landscape painting of his works seems to be modern and abstract, but not the traditional landscape painting charm, without showing any traces of western painting, splashed color ink in his works, outstanding performance is the ink, areola, and even few handwriting, pay attention to the pursuit of form as well as the poetry artistic conception. The native elucidations of Chinese painting are not to stick to the original meaning of "brush and ink", but to show their unique style in the universality of world painting.
李可染 万山红遍/Painter Li Keran: Wanshan Hongpian
长：135.5cm 宽：68.5cm
L：135.5cm W：68.5cm
题识: 看万山红遍，层林尽染，一九六四建国十五周年大庆，可染写主席词意于北京西山。
钤印:可染
《万山红遍》作为李可染先生的代表之作，取毛泽东《沁园春·长沙》之词意，气质雄壮豪迈。不凡之处便是作者用了大量朱砂来渲染画面，满目红山，意境非凡。画面物象经营布局具形式感，既有严谨的刻意经营，又不失情感的自然流露。此画以墨作底，红为主调，强调“遍”字。以朱砂色铺陈整个画面，可谓大胆创新之举，使画面滋润明亮富有层次变化。《万山红遍》的诞生，有着特殊而深刻的时代烙印，堪称稀世珍品。
Description: see all the red mountains, the story of the forest, in 1964, the fifteenth anniversary of the founding of the daqing, can be dyed to write the President's words in Beijing xishan.
QianYin: can be dyed
As the representative work of Mr. Li keran, wan shanghong takes the meaning of MAO zedong's "qinyuanchun · changsha", which is magnificent and heroic in temperament. Extraordinary is the author used a lot of cinnabar to render the picture, red mountains everywhere, extraordinary artistic conception. The picture object manages the layout to have the form feeling, already has the rigorous management painstakingly, also does not lose the emotion the natural outpouring. This painting with ink as the background, red - based tone, emphasizing the word "all". With vermilion color lay out whole picture, it may be said bold and innovative move, make picture moist and bright rich layer change. The birth of "all over the world", with a special and profound brand of The Times, can be called rare treasures.
齐白石 藤萝小雀/Painter Qi Baishi: Cane Finch
长：90cm 宽：48cm
L：90cm W：48cm
齐白石从来没有入仕愿望、懒于应酬、不管闲事、与世无争、始终以一颗纯真的心，沈浸在艺术的体验之中，沈浸艺术故乡里。齐白石的乡心、童心和农人之心的流露和艺术中的乡土气息，根源于齐白石的劳动生活。齐白石也曾在艺术上走投无路，那是虚假地因袭“八大山人”的情感所必然遭到的碰壁命运，实质上那是齐白石的心态与过去的文人之间不相谐和的结局
Qi baishi has never been eager to become an official, lazy in social intercourse, nosy and aloof from worldly affairs. He has always been immersed in the experience of art and the hometown of art with a pure heart. Qi baishi's hometown spirit, childlike innocence and peasant's heart, as well as the local flavor in his art, are rooted in his working life. Qi baishi also had no way out in art, which was the inevitable fate of running up against the wall due to his false attachment to the "eight mountain people". In fact, it was the result of the incongruity between qi baishi's mentality and the past literati.
吴昌硕 岁寒三友图/Painter Wu Changshuo: Pines, Bamboos and Plum Blossoms
长：150cm 宽：84cm
L：150cm W：84cm
此幅作于1920年，吴昌硕时年77岁，正处于其艺术的高峰期。画中绘松竹梅，是传统的“岁寒三友”题材，吴昌硕在另一幅同题材的作品中曾写道：“岁寒三友，高尚可风。寒不可当，清气在空。画者亦寒，独行无友。且看青天，且酌旨酒。”可见他为这类作品所注入的精神气骨，既从世俗中而来，又清高独行，拒人千里之外。
The painting was painted in 1920. Wu changshuo was 77 years old and at the peak of his art. In the painting, pine bamboo plum is the traditional theme of "three friends in cold age". Wu changshuo wrote in another work of the same theme: "three friends in cold age, gao shangkefeng. Cold when, clear air in the air. He that paints is cold, and walks alone. Look at the sky and drink the wine." It can be seen that the spirit and spirit he injected into this kind of works came from the secular world, and he walked alone and rejected people thousands of miles away.
潘天寿 天风闻妙香/Painter Pan Tianshou: Tianfeng smells delicate fragrance
长：58cm 宽：35cm
L：58cm W：35cm
此作是潘老难得的纵肆狂横笔墨完成的荷花佳作，画面中以酣畅淋漓的墨法表现出荷叶的纯真自然之态，以饱蘸浓淡二墨的大笔挥洒，重墨表现出荷叶和莲蓬之意态，淡墨重墨交相分布，题识与荷叶形成互动，呈现出一种墨古笔健、浑厚纯拙、虚实相交、纵肆潇洒的画面氛围；
This is pan old rare lotus, longitudinal crazy lateral spreading ink completed in ink presentation showed a lotus leaf to blow out by pure natural state, with BaoZhan shade large artificial ink, ink performance are investigated, the lotus leaf and lotus light ink ink photograph distribution, the problem is to interact with lotus leaf form, presents an ancient ink pen and vigorous pure compensated, cross and longitudinal natural scene atmosphere;
拍卖是否成功关键还是看拍品的品质，如果依靠拍卖形式的创新，忽视提升拍品的品质，恐怕不会有质的改变与成交的希望。这次让我们拭目以待福羲国际精品拍品的亮相，是否可以成为市场的一个热捧。
Whether the auction is successful or not depends on the quality of the auction. If we rely on the innovation of the auction form and neglect to improve the quality of the auction, we may not have the hope of qualitative change and transaction. This time, let's wait and see if the appearance of the high-quality auction products of Fuxi International Auction House can become a hot spot in the market.