吴永良（1937年11月-2020年5月25日），出生于浙江鄞县五乡。1962年毕业于浙江美术学院中国画系人物画科，中国美术学院教授、著名国画家、浙派人物画大师。
吴永良擅长水墨写意人物画和指头画，为当今具有代表性的中国画家，在意笔线描人物画教学和创作上具率先独创之学术成就。作品为中国美术馆、北京、上海、绍兴三地鲁迅纪念馆，中南海，日本皇宫，梵蒂冈艺术博物馆，西泠印社等处收藏。出版有《吴永良画集》、《吴永良书画集》、《寄情抒怀-吴永良风景速写》等。电视专题片《吴永良画鲁迅》、《艺术与心灵—吴永良教授画牛》由中央和浙江电视台多次播放并选送至美国、日本、澳大利亚播映。业绩入编《中国美术全集·现代卷》、《当代中国美术全集》，享受政府特殊津贴。现为中国美术学院教授、中国美术家协会会员、浙江书法家协会会员、西泠印社社员、潘天寿基金会理事、四明书画院名誉院长、新加坡墨澜社、啸涛篆刻书画会等艺术顾问。
吴永良喜从天降图（92*34CM）
追求以书入画和以画入书，以极具骨力、骨气的意笔线描和笔墨酣畅的泼墨大写意在当今人物画坛上独具一格，此画聚气于顶，把喜从天降完美的表达了出来，十分耐赏！
吴永良是一位在艺术上追求纯真的艺术家，他的作品以清纯真率的高格调特别受人青睐。可以说他的每一幅作品都是来自生活，他的作品中有色彩鲜明的南洋风情，印度的大型庆典也有西方的圣经故事。他笔下的儿童面目多样，或放牧，或听蝉，或嬉戏。不论对哪个题材的描绘，他都融情于笔墨中，毫不做作，可以说吴永良的笔是时刻为表现新的生活、新的感受而准备着的。
画家笔下的钟馗，有的正气凛然、威风八面;有的春风得意，豪情万丈;有的竖目圆睁，不怒而威;有的憨态可掬、可亲、可敬，但不论是谁，不论何种解读，钟馗的形象，皆栩栩如生、神形兼备，表现出了钟馗惩恶扬善、誓除天下妖孽的浩然正气。同时，在作品表现形式上，涵盖了中国人物画的技法大成。有的笔墨劲健洒脱、铿锵有力;有的笔墨刚柔相济、韵律天成;有的笔墨工整至极，严谨中不失灵动。欣赏这些佳作，亦是对中国人物画技法之大赏。
中国人物画的最高要求是气韵生动，不但要形似，更重要是神似，即作品要有丰富而深刻的精神内涵。吴永良对画中人物的描绘也都绝不仅仅停留在表面的形似上，而是努力挖掘他们的精神内涵，表现对象的本质美。他的画面中每一条简洁而凝练的线条，都蕴涵着他对人对大自然的肯定与尊重。中国画中的笔墨都是有表现力的，笔墨虽然是用于造型，但却能流露出画家作画时的心态和艺术修养。吴永良的笔墨在当今人物画界是首屈一指的。在他的作品中能看到周昌谷色墨交融的没骨写意、李震坚拙朴的线条和扎实的造型、以及方增先笔意的多变和人物的传神。在平凡的生活中、平凡的人物中吴永良发现了美，并把一切杂质都剔除干净，只留下清纯与率真。这也使得我们在品读他的作品时就像是在品读一首首清新优美的诗。
古人云：“情动于衷，诉之于言，言之不足，诉之于歌，歌之不足，则不禁手之舞之足之蹈之也。”这便是一切艺术产生之根由，均出于情感表述与宣泄之需要。古往今来，凡感人肺腑影响至深的艺术作品无不出自作者全身心的投入，既是呕心沥血和殚精竭虑的真情与苦思的凝聚，也是坎坷人生和血泪倾诉的交融，使人们在获得艺术享受之时，又得到心灵的净化和精神的升华，固而成为不朽的传世杰作，实非偶然，画家以不在世，不可再生，此为其巅峰之作，收藏价值巨大。
朱曜奎， 祖籍苏州，出身艺术世家。中国当代著名艺术家，杰出美术教育家、我国少数民族美术教育的奠基者之一，中国民办艺术设计教育的开拓者。其艺术形式多样，以油画、漆画、雕塑、壁画为主。自幼年师从父亲朱士杰、颜文樑、刘海粟等大师，倡导“大美术”理念，是新中国美术教育的重要推动者。他勤于探索和创新，将中国山水意象与西方写实绘画进行融合，形成独有的创作风格。
2020年6月4日，朱曜奎以2019年度公开拍卖市场作品总成交额8,589万元人民币名列《2020胡润中国艺术榜》第9位。
朱曜奎风景油画
风景油画是以自然景物为描绘对象，用油画材料进行绘画创作·称为风景油画，可以分为：自然风景油画、山水风景油画、蓝天白云油画、日出日落油画、街景油画等。早期的绘画并没有这一独立的门类，风景油画只是在一些人物画中以背景或陪衬的形式出现。
油画（an oil painting；a painting in oils）是以用快干性的植物油（亚麻仁油、罂粟油、核桃油等）调和颜料，在画布亚麻布，纸板或木板上进行制作的一个画种。作画时使用的稀释剂为挥发性的松节油和干性的亚麻仁油等。画面所附着的颜料有较强的硬度，当画面干燥后，能长期保持光泽。凭借颜料的遮盖力和透明性能较充分地表现描绘对象，色彩丰富，立体质感强。油画是西洋画的主要画种之一。
落款端正，印章对比章谱完全符合，为真品无疑。
油画的前身是15世纪以前欧洲绘画中的蛋彩画，后经尼德兰画家扬·凡·艾克（Jan Van Eyck），（1385年-1441年） 对绘画材料等加以改良后发扬光大。后人因扬·凡·艾克对油画艺术技巧的纵深发展做出的独特贡献，誉其为“油画之父”。近代油画多用亚麻子油调和颜料，在经过处理的布或木板上作画，因为油画颜料干后不变色，多种颜色调和不会变得肮脏，画家可以画出丰富、逼真的色彩。油画颜料不透明，覆盖力强，所以绘画时可以由深到浅，逐层覆盖，使绘画产生立体感。
1932年 出生于江苏省苏州市，父亲朱士杰。
1948年 苏州美专附中毕业考入苏州美专西画专业学习油画，师从朱士杰、颜文樑、黄觉寺，受刘海粟艺术思想指导。
1949年 新中国成立，与父亲朱士杰联手创作《建国领袖》《伟人》《祖国万岁》《黄河颂》等作品。
1950年 创作《保卫祖国》《军民一家亲》《跨过鸭绿江》《为朝鲜和平而战》《啊，长江黄河》等宣传画，以及《大炼钢》《赤脚医生》《最高指示》《人民的土地》等作品。
此风景油画，色彩丰富，层次分明，青有浓淡，黄有秋意，小路平坦，给人一种宁静之感，观之平复心情，是绝佳的精神粮食，此画为朱曜奎老师的巅峰之作，每处细节惟妙惟肖，仿佛身临其境，镜框装裱，由于存世较少，艺术价值极高，使其极具收藏价值。
英文翻译：Wu Yongliang (November 1937 -- May 25, 2020) was born in Wuxiang, Yinxian County, Zhejiang Province. Graduated from The Chinese Painting Department of Zhejiang Academy of Fine Arts in 1962, professor of China Academy of Fine Arts, famous Chinese painter, zhejiang school of figure painting master.
Wu Yongliang is good at ink freehand figure painting and finger painting. He is a representative Chinese painter today, and has made pioneering academic achievements in the teaching and creation of pen line figure painting. His works are collected by National Art Museum of China, Lu Xun Memorial Hall in Beijing, Shanghai and Shaoxing, Zhongnanhai, Japanese Imperial Palace, Vatican Museum of Art, Xiling Seal Society and so on. Published "Wu Yongliang painting collection", "Wu Yongliang calligraphy and Painting collection", "Expressing feelings - Wu Yongliang landscape sketches" and so on. TV feature films "Wu Yongliang painting Lu Xun" and "Art and Soul -- Professor Wu Yongliang painting cattle" were repeatedly broadcast by CCTV and Zhejiang TV and selected to be broadcast in America, Japan and Australia. Achievements in the compilation of "Complete Works of Chinese Art · Modern Volume", "Complete Works of Contemporary Chinese Art", enjoy special government allowance. Currently he is a professor of China Academy of Art, a member of Chinese Artists Association, a member of Zhejiang Calligrapher's Association, a member of Xiling Seal Society, a director of Pan Tianshou Foundation, honorary president of Siming Calligraphy and Painting Institute, an art consultant of Singapore Moran Society and Xiao Tao Seal Cutting Calligraphy and painting Society.
Picture of Wu Yongliang falling from heaven (92*34CM)
The pursuit of book painting and painting into the book, with a very backbone, backbone of the meaning of the pen line drawing and ink freely in today's character painting in a unique style, this painting gathering gas at the top, the perfect expression of the blessing from heaven, very admire!
Wu Yongliang is an artist who pursues innocence in art, and his works are especially favored by people with high style of pure and pure rate. It can be said that each of his works comes from life. There are colorful South Asian customs in his works, and there are western Bible stories in large celebrations in India. His children have various features, such as herding cattle, listening to cicadas, or playing. No matter what subject matter he describes, he always melts into his pen and ink without affluence. It can be said that Wu Yongliang's pen is always ready to express new life and new feelings.
Zhong Kui under the painter's pen, some awe-inspiring, majestic eight sides; Some are proud and proud; Some eyes open, not angry and wei; Some simple and honest charming, amiable, respectable, but no matter who, no matter what kind of uninterpretation, zhong Kui's image, all lifelike, god form both, showed Zhong Kui corrects evil and raises good, oath to divide the world demon's haoran righteous spirit. At the same time, in the form of expression of the work, it covers the techniques of Chinese figure painting. Some ink vigorous free and easy, sonorous and powerful; Some pen and ink are firm and soft, rhythm is natural; Some ink neat to the extreme, rigorous do not break clever. Appreciating these masterpieces is also a great appreciation of Chinese figure painting techniques.
The highest requirement of Chinese figure painting is vivid spirit, not only likeness in shape, but also likeness in spirit, that is, the work should have rich and profound spiritual connotation. Wu Yongliang's depiction of the figures in the paintings is not only on the surface of appearance, but also strives to explore their spiritual connotation and show the essential beauty of the objects. Every simple and concise line in his pictures implies his affirmation and respect for people and nature. The ink and brush in Chinese painting are expressive. Although the ink and brush are used for modeling, they can reveal the painter's state of mind and artistic accomplishment when painting. Wu Yongliang's brush and ink are second to none in today's figure painting world. In his works, we can see zhou Changgu's boneless freehand brushwork, Li Zhenjian's simple lines and solid modeling, and Fang Zengxian's changeable brushwork and vivid characters. Wu Yongliang found beauty in ordinary life, ordinary people, and all impurities are removed clean, leaving only pure and frank. This makes us read his works as if we were reading a fresh and beautiful poem.
The ancients cloud: "affection moves in the heart, v. in words, words of insufficient, v. in song, song of insufficient, can not help but hand dance of the foot of the dance also." This is the root of all art, out of the need for emotional expression and catharsis. Through the ages, all moving deep influence to the commitment of all works of art from the author, is a sincere and puzzling over the coherence of agony and stressed and bumpy life and blood to blend, make people to be artistic enjoyment, and the purification of soul and distillation of the spirit, solid and become the immortal masterpiece handed down from ancient times, not by accident, the painter is not alive, Non-renewable, this is the pinnacle of its collectible value.
朱曜奎, originally from Suzhou, was born into an artistic family. Famous Chinese contemporary artist, outstanding art educator, one of the founders of China's minority art education, the pioneer of China's private art design education. Its art forms are diverse, with oil painting, lacquer painting, sculpture, murals. Since childhood, he was taught by his father Zhu Shijie, Yan Wenliang, Liu Haisu and other masters. He advocated the concept of "big art" and became an important promoter of art education in New China. He is diligent in exploration and innovation, combining Chinese landscape image with western realistic painting, forming a unique creative style.
On June 4, 2020, 朱曜奎 ranked 9th in the hurun China Art List 2020 with the total turnover of works in the 2019 public auction market of 85.89 million YUAN.
朱曜奎 Landscape painting
Landscape oil painting is called landscape oil painting, which can be divided into natural landscape oil painting, landscape oil painting, blue sky and white clouds oil painting, sunrise and sunset oil painting, street scene oil painting and so on. Early paintings did not have such an independent category, landscape oil painting only appeared in some figure paintings in the form of background or foil.
An oil painting; A painting in oils is a painting done on canvas, linen, cardboard or wood with quick-drying vegetable oils (linseed oil, poppy oil, walnut oil, etc.) mixed with pigments. The thinner used in painting is volatile turpentine and dry linseed oil. The paint attached to the picture has a strong hardness, when the picture dry, can maintain gloss for a long time. By virtue of the covering power and transparency of pigments, the objects depicted are fully represented, with rich colors and strong three-dimensional texture. Oil painting is one of the main western painting.
The signature is correct, and the contrast of the seal is in full compliance with the spectrum, which is undoubtedly genuine.
Oil painting is the predecessor of the 15th century before European painting tempera, after the Netherlands painter Jan Van Eyck (1385-1441) to improve the painting materials and so on after the development. Later generations for Jan van Eyck's unique contribution to the depth of the development of oil painting art skills, known as the "father of oil painting". Modern oil painting with linseed oil mixed pigment, in the treatment of cloth or wood painting, because oil paint does not change color after drying, a variety of colors mixed will not become dirty, the painter can draw a rich, lifelike color. Oil paints are opaque and have strong coverage, so when painting, they can be covered layer by layer from deep to shallow, so as to create a three-dimensional sense of painting.
He was born in Suzhou, Jiangsu Province in 1932 to His father Zhu Shijie.
In 1948, after graduation from the High school attached to Suzhou Art College, he was admitted to suzhou Art College, majoring in Western Painting to learn oil painting. He studied under zhu Shijie, Yan Wenliang and Huang Jusi and was guided by Liu Haisu's artistic thoughts.
In 1949, when The People's Republic of China was founded, he and his father Zhu Shijie collaborated to create the Founding Leader, Great Man, Long Live the Motherland, Ode to the Yellow River and other works.
In 1950, he created propaganda paintings such as "Defending the Motherland", "Army and People are One Family", "Crossing the Yalu River", "Fighting for Korean Peace", "Ah, Yangtze river and Yellow River", and other works such as "Big Steelmaking", "Barefoot Doctor", "Supreme Instruction" and "People's Land".
This landscape painting, color is rich, distinct, green shade, yellow autumnal, path smooth, give a person the feeling of a kind of halcyon, view of calm mood, is the spirit of the great food, painting for Zhu Yaokui culmination teacher, every detail, as if, as it were, framed, because there is less, high artistic value, make it extremely collection value.